Karl Hofer
Between Beauty and Truth
April 11, 2026, to October 18, 2026
Schloss Achberg presents a comprehensive exhibition of the work of Karl Hofer (1878–1955), one of the most important and independent artists of classical modernism in Germany. Over 60 key paintings, primarily from the Arthouse Collection, paint a vivid portrait of an artist whose work raises pressing questions about humanity and existence.
Human existence forms the core of Hofer’s oeuvre. His figures in motifs such as graceful portraits of girls, bathers, or dinner parties convey existential, often melancholic feelings. In doing so, he subtly processed the horrors of the world wars and created a tension between timeless beauty and visionary warning images. A great loner, he developed an unmistakable visual language with clearly contoured lines and dry colors.
Defamed as “degenerate” by the National Socialists, Hofer had a decisive influence on the West German art debate after 1945 as director of the University of the Arts in Berlin, defending figurative painting against the growing dominance of abstraction.
The exhibition contextualizes his work through paintings by artists of the Halle School and Willi Baumeister, thus illuminating the reception of his work in East and West Germany.
Curated by Michael C. Maurer and Marie-Theres Pecher, the exhibition is a collaboration between Schloss Achberg, the Arthouse Collection, the Kunstmuseum Moritzburg Halle (Saale), the Städtische Galerie Bietigheim-Bissingen, and the Kunsthalle Rostock. A comprehensive catalog has been published by E.A. Seemann Verlag.
